
Faux finishing has been used for millennia, from cave painting to Ancient Egypt, but what we generally think of as faux finishing in Decorative Arts began with Plaster and Stucco Finishes in Mesopotamia over 5000 years ago.
Faux became hugely popular in Classical times in the forms of faux Marble, faux Wood, and Trompe l'oeil Murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was rewarded to artist who could actually trick viewers into believing their work was the real thing. Faux painting has continued to be popular throughout the ages, but experienced major resurgences in the neoclassical revival of the nineteenth century and the Art Deco styles of the 1920s. Throughout the recent history of decorative painting, faux finishing has been mainly used in commercial and public spaces.









Marbleizing or faux marbling is used to make walls and furniture look like real marble. This can be done using either plaster or glaze techniques.
Graining, wood graining, or faux bois (French for "fake wood") is often used to imitate exotic or hard-to-find wood varieties.
Trompe l'oeil, "trick the eye" in French, is a realistic painting technique often used in murals, and to create architectural details.
Venetian plaster is a smooth and often shiny plaster design that appears textured but is smooth to the touch. Venetian plaster is one of the most popular and traditional plaster decorations.
Color wash is a free-form finish that creates subtle variations of color using multiple hues of glaze blended together with a paint brush.
Strie, from the French word meaning "stripe" or "streak", is a glazing technique that creates soft thin streaks of color using a paint brush. It is a technique often used to simulate fabrics such as linen and denim.
Rag painting or ragging is a glazing technique using twisted or bunched up rags to create a textural pattern.
*referenced from Wikipedia
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